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Welcome to the Rileys
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Welcome to the Rileys

Description
Seeking refuge from his grief and crumbling marriage, a salesman (James Gandolfini), on a business trip to New Orleans, a damaged man seeks salvation by caring for a wayward young woman (Kristen Stewart).
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CRITICS OF "Welcome to the Rileys"
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We Got This Covered
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November 11, 2013

Plenty of authentic laughs and great supporting performances make Welcome to the Rileys a decent film.
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ScreenRant
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October 05, 2012

For every moment of raw self-destruction there is an equally charming resolution.
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Philadelphia Inquirer
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December 02, 2010

It's as if Tony Soprano and Bella Swan had landed the two leads in somebody's amateur theater company, and this is what the lucky audience gets.
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Observer (UK)
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November 19, 2011

It's a preposterous story, yet for part of its duration at least, Gandolfini as the slouching, baggily dressed Doug and Leo as the reawakened wife manage to make it rather touching.
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Dallas Morning News

November 24, 2010

Welcome to the Rileys is a reminder that good, or at least intriguing, things can come in what seem to be predictable packages.
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Miami Herald
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December 08, 2010

"Welcome to the Rileys" sets out to be a study of grief and how to overcome it, but it rings too false to offer much hope - or entertainment.
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Arizona Republic
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November 12, 2010

Terrific acting by James Gandolfini and Melissa Leo -- and a noble effort from Kristen Stewart -- goes a long way toward salvaging it.
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Washington Post
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November 24, 2010

"Welcome to the Rileys"? Thanks, but no thanks.
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Tribune News Service
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January 17, 2013

Kristen Stewart ever runs out of "Snow White" sequels, this is what her post "Twilight" career should look like.
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London Evening Standard

November 19, 2011

If it could be too slow-burning for some, it is at least a refreshing change from a pattern of film-making that never gives you a moment's rest because there is nothing under the surface.
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Time Out
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November 15, 2011

Stewart lets it all hang out in a firecracker role but her damaged character never achieves the depth the weak material could have done with.
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Radio Times
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November 20, 2011

[It] will win no prizes for originality, but it benefits greatly from the subtle performances of the two leads, particularly Leo...
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