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The Cobbler
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The Cobbler

Description
Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.
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The Cobbler
CRITICS OF "The Cobbler"
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Punch Drunk Critics
Resource

January 09, 2017

Ugh.
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Today's Zaman (Turkey)
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February 29, 2016

Throughout the film's 99 minutes you will find yourself wondering whether this is a genuine black comedy, a family comedy, a dramedy, a cheap-shot drama, or possibly a melodramatic modern-day superhero story about being a good Samaritan.
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New York Magazine/Vulture
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March 13, 2015

Throughout The Cobbler, Sandler himself seems more invested than he's been for a long time. But the rest of this ghastly movie lets him down.
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Movie Talk
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January 03, 2016

The quirky magic-realist conceit has great potential but co-writer/director Tom McCarthy fails to bring it to a shine.
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Philadelphia Inquirer
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March 13, 2015

A failed fairy tale with a saccharine, klezmer-inflected tone undercut by the movie's own plot.
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New Yorker
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March 15, 2015

The conceit is both ridiculous and clever, but the director, Tom McCarthy, pushes it to facile conclusions without tapping its deeper potential ...
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Los Angeles Times
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March 12, 2015

"The Cobbler" is a wildly ill-conceived curio from director Tom McCarthy, who co-wrote with Paul Sado.
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RogerEbert.com
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March 13, 2015

"The Cobbler" is almost fascinatingly awful enough to recommend. If one subscribes to the theory that you can learn as much from a bad movie as from a good one, this one's a master class in what not to do.
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South China Morning Post
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April 02, 2016

You don't want to be in Adam Sandler's shoes right now.
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Time Out
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July 27, 2015

A top-of-the-range supporting cast makes this grindingly dull experience almost bearable.
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The Film Stage
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February 27, 2016

Method Man is the easy standout, proving to be the most memorable piece of a film that embraces its slightness to warm hearts and lets the rest come what may.
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