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Mad Dog and Glory
In an incident, crime scene photographer Wayne Dobie, or Mad Dog, inadvertently saves the life of a mob boss named Frank Milo. In return, Milo allows Mad Dog to have one week with his servent Glory. After an awkward start, Mad Dog and Glory soon fall in love and make the decision to run away from the crime boss.
8 June 1950, Midland, Texas, USA
22 September 1969, New York City, New York, USA
3 September 1953, Chicago, Illinois, USA
21 September 1950, Wilmette, Illinois, USA
29 July 1950, Queens, New York City, New York, USA
29 April 1970, Boston, Massachusetts, USA
20 March 1950, Chicago, Illinois, USA
October 05, 2008
An edgy romantic drama that never quite jells, but has enough moments of humor and/or charm to make it worth seeing.
April 09, 2007
A terrific little comedy, as well as a showcase for screenwriter Richard Price's incomparable ear for dialogue.
January 01, 2000
Throw Robert De Niro, Uma Thurman and Bill Murray together in a Universal Pictures movie and what do you get? Something that starts off at a beautiful clip before back-pedaling like crazy into a risk-free happy ending.
September 09, 2003
Great romantic gangster caper
January 01, 2000
It's the rapport between the two actors, De Niro and Murray, that saves Mad Dog and Glory from being something less than just another buddy movie.
May 20, 2003
An almost unconscionably enjoyable movie that plays like something conceived by a contemporary, furiously hip Damon Runyon.
January 01, 2000
Mad Dog and Glory is the kind of movie I like to see more than once.
January 01, 2000
The tone is uneven, with the dark moments lacking a tanglible sense of danger and the uplifting scenes missing a much-needed lightheartedness.
October 05, 2008
The film's main sin seems to be its indecision as to whether it is a black comedy, a satire, a thriller or a love story. It's none of the above. Just tedious.
May 26, 2003
DeNiro can play a complete wimp and Murray can play a heavy--who knew?
June 24, 2006
De Niro seems committed to the part of the sensitive loner, while Murray all but succeeds in mixing smooth and sinister, heartfelt and hot-tempered.
August 21, 2006
An original if incoherent fable about the intricate relationships between a cop, a girl, and a gangster whose tone shifts radically from scene to scene, unable to reconcile between the story's softer love elements and its harder urban edges.
