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Indignation
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Indignation

Description
Set in1951, the movie tells the story of Marcus (Logan Lerman), a working-class Jewish student from New Jersey, who falls for a young woman (Sarah Gadon) while clashing with his dean (Tracy Letts) in 1951 Ohio.
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HEROES OF "Indignation"
Indignation
CRITICS OF "Indignation"
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Stream on Demand
Resource

January 13, 2017

James Schamus, the longtime maverick film producer who co-wrote many of Ang Lee's films, adapts the 2008 Philip Roth novel and directs this measured, serious, heavily introspective coming-of-age drama.
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MetroActive
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January 01, 2017

Despite occasional (brief) flashes of resistance, when a personality threatens to surface, Marcus is so passive, he's practically inert.
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Seattle Times
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August 11, 2016

"Indignation" is an elegant debut for longtime producer Schamus; a visit to the past, with both sunshine and darkness.
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Irish Times
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December 27, 2016

A compelling drama.
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Globe and Mail
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August 05, 2016

Writer and director James Schamus turns Indignation into a minor period piece, a precise but seemingly pointless evocation of the stultifying conventionalism of an American university campus in the 1950s.
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Detroit News
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August 12, 2016

Despite its pluses, "Indignation" often plays like a heavy handed after-school special. It's not so much indignant as it is tedious.
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Toronto Star
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August 04, 2016

Schamus gets the suffocating look of 1951 American academia just right, with its sweaters and skirts, and with a rose motif worthy of Citizen Kane. What's missing is any real drama or purpose.
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Minneapolis Star Tribune
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August 08, 2016

With its mature perspective on distant formative years, the film feels true to the spirit of Roth; little from the deep wellsprings of the great novelist's fiction is lost in translation.
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ArtsHub
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January 08, 2017

The philosophical debate at the heart of the film works better than the sensitive romance around it.
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Time Out
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November 14, 2016

A mildly interesting coming-of-age tale, nothing more.
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Financial Times
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December 27, 2016

The period detail is reverent, every sweater and side-parting just-so. Yet the stifling design makes a good fit for the airless world in which Marcus is marooned, and the reminders of darkness and death at the edge of the film relieve the prettiness.
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